Top 15 Jim Coleman Quotes

I don’t think I really know just how cool Satan really was when I was in Junior High School. Now, thanks to Marilyn Manson, it’s no longer a secret.

With Frat House, at times I needed to make music that would reflect what these fraternity brothers might actually listen to, but still keep it within the realm of a score; it still had to lead the viewer through the scene, or just help create the mood.

If the finest hour is now, then I’ll always be in it.

I’ve had a lot of highs in my life and a lot of lows, some pivotal experiences, and in ways I feel like I’ve already lived a couple of lives.

Unfortunately, however, I have too many desires to make a good Buddhist.

And I don’t know where I’m heading. I mean, I’ve got a pretty good idea of what I want in life.

I like to think that my finest hour is still ahead of me, so I can look forward rather than look backward.

I actually went to film school and was making experimental films for a short time, so it wasn’t such a leap.

I think that one of the strengths of Cop Shoot Cop lay in the different, and at times, clashing personalities, Ideally, I want to have both ways of working in my life.

As a kid, I used to go see all the jazz players, Oscar Peterson, Stan Kenton, Dave Brubeck, Dizzy Gillespe.

But in my college years it got to the point where my friends and I didn’t do anything without consuming a massive amount of alcohol before we went anywhere or did anything, and you know that.

I’m from all over the Northeast.

I do remember being in high school and trying to go to an Outlaws concert, but I was too drunk and ended up in trouble with the police at some truck stop on 95 in Connecticut.

I guess professionally it began when Hal Hartley used some music of mine in his film The Unbelievable Truth.

But things can happen in a band, or any type of collaboration, that would not otherwise happen.