Top 35 John Frusciante Quotes

For me it’s important to be in balance. To not let fear get in the way of things, to not worry so much about protecting yourself all the time.

I’m also very impressed with the best people in experimental electronic world, like Peta and Eckart Aillers and Finez and Jim O’Rourke and Oren Umbarci and Francesco Lopez. Most of them use the computer as their main instrument.

I think the feelings in my music were suggested to me before I even had the ability to play music.

I feel like I’d like to continue putting out records and start putting them out more rapidly than I have until now and for me if I can keep selling the records to the fans that already like me that’s fine.

And for me the only way to live life is to grab the bull by the horns and call up recording studios and set dates to go in recording studios. To try and accomplish something.

I’m not interested in forcing my music on people, and that’s what the whole music industry nowadays is based on is forcing stations to play it, forcing people to listen to it.

The main thing experience has taught me is that one has to sort of hone their relationship to time, you know.

Everything’s very perfectly balanced; for all the horrible things in the world there’s lots of good things.

I don’t want to be on the radio. I don’t want to be on Mtv.

I combine aspects of many styles of music and create my own musical forms by way of electronic instruments.

You just never know when somebody’s gonna die. It could happen at any moment so you’ve got to really treat everybody that way. Just really let everybody know how you feel about them.

I write songs because I have to write them, and if I didn’t I’d be doing some other kind of music that didn’t require a song.

Any guitar solo should reflect the music that it’s soloing over and not just be existing in its own sort of little world.

So I use a tape recorder a lot to record ideas.

I find that the best way to do things is to constantly move forward and to never doubt anything and keep moving forward, if you make a mistake say you made a mistake.

Yeah, I really like being alive. But I definitely don’t have any intentions as an artist.

The drive to create music that is pure is my highest priority. Sometimes I’ll get extremely technical, and other times I’ll just kind of go with the gods of music.

In the Chili Peppers I’m a part of that world in a pretty big world and that’s just the way it is.

I consider my music to be Progressive Synth Pop, which says nothing about what it sounds like, but does describe my basic approach.

I just like to switch things up all the time. Like when it comes to singing, I try to find a different character for each song.

People fall into patterns at fast speeds, when really, to have a clear musical thought – the kind of musical thought that makes a melody work – our brains just can’t think that fast. At a certain point, you’re going on automatic.

Mainly, I don’t like it when music is made solely to impress people or in order to please business people; it doesn’t sound good to me. If you’re making music in order to become famous or loved by the masses… that’s not what I’m about. When somebody’s making music for the wrong reasons, I hear it right away.

I don’t have an extensive background in theory, but the amount of it that I’ve learned, I’ve applied, so I have a vocabulary of melodic and rhythmic relationships. And that’s all theory is – it’s symbols to help you identify those relationships.

In music you have people exposing this very vulnerable part of themselves, and you also have the lifestyle is so fast that oftentimes people search for whatever the easiest way to feel relaxed in the midst of all of it, or the easiest way to have energy.

My music, my whole approach to the synthesizer has completely changed now.

For me, theory has always opened things up to where I can walk into a room and just by hearing something I know exactly where to go on the guitar. I have a better time playing because I have a variety of colors to bring to the table.

I’m not interested in meeting people’s expectations, and I’m not interested in pleasing people.

As far as my solo record, I don’t want a gold record or anything, I’m happy to be small and to have the people appreciate the music who really like me for being me.

Rock guitarists usually do not wish to think trains of thought about anything but their own guitar playing during a long solo, and I could not play this way if I were not able to divide my attention between my ever changing musical environment and my instrument itself.

I would say a lot of the emotion in what I do is a sort of a thankfulness for those energies being around, because there’s been points in my life when they weren’t around, and it’s a real sort of miserable existence.

For me my friendship with Omar Rodriguez from Mars Volta that friendship really means a lot to me because he’s another creative person who works as hard as I do.

I think a solo moves forward the way a song does, because it’s reflective of the chords that I’m considering as I’m soloing, and at the same time I’m going as much out on a limb as Frank Zappa used to, in terms of just going crazy on the instrument.

And this whole period of time of gradually working at being a better guitar player and songwriter have gradually led me to the point where I feel I’m doing a clearer representation of the thing that I’ve been feeling inside me since I was four years old.

I try to put the same spirit into that that I put into any other music endeavor I’m involved in.

What really helps me is being able to record my albums at home – I have more fun experimenting that way, as opposed to working with an engineer, in which case I have to deal with the humiliation of doing take after take, and that can get frustrating.